Easter 2022

“What if our departed loved ones are not truly gone, but are closer than we think?”

— Charles Anthony Silvestri

As the calendar turned to resurrection and the hope beyond, LIVE From London presented two very personal pieces as its exclusive Easter meditation – both from the heart and pen of poet/lyricist Charles Anthony Silvestri

The Sacred Veil by Eric Whitacre, performed by VOCES8, pianist Christopher Glynn, cellist Emma Denton and conducted by Eric himself is a last rite of love and friendship, exploring the journey of pain and loss through the words of the deceased (Julia Lawrence Silvestri), her husband (Charles Anthony) and their friend (Eric). Intimately filmed from The VOCES8 Centre the much-awaited collaboration between choral superstars Eric Whitacre and VOCES8 unveiled a newly pared-down approach to the piece, lending it yet more immediacy and poignancy.

In contrast on Easter Day, LIVE From London unveiled Mårten Jansson’s new work Requiem Novum. As the tombstone is rolled away, Mårten’s ‘Response of Hope and Wonder’ offered a comforting voice from beyond the veil. Charles Anthony Silvestri’s poems are woven between the traditional movements of the Requiem Mass giving a new reading to its texts, whilst Mårten’s expansive score evoked the beauty of sweeping Swedish landscapes just as much as the wonder of eternity. Celebrating the release of the world premiere recording by soprano Anna Dennis, The VOCES8 Foundation Choir and the Philharmonia Orchestra conducted by Barnaby Smith, the festival team welcomed you to enjoy the filmed performance from the recording sessions at All Hallows’, Gospel Oak, London

Hope was once again the underlying message of LIVE From London as it continued to support other artists, arts organisations, education, community and diversity work around the world.

Here, on the other side of eternity,

There are no limits of thought,

Or dimensions, or understanding

For here, all is known,

All is revealed,

And all is infinite, perfect Love.

From ‘Requiem Novum’: text by Charles Anthony Silvestri

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